HOW TO MAKE A ZOMBIE
from Sharon Ledwith
Much has been written about the walking dead we’ve come to know as ‘zombies’. Immortalized in movies, television shows, books, comics, and music videos (remember Thriller?), zombies have become so much a part of our culture that people can’t get enough of these brain-eating horror icons. When researching for The Last Timekeepers and the Noble Slave, the third installment of my young adult time travel adventure series, I wanted to incorporate a Voodoo ceremony that included creating a zombie. Oh, where to start, I asked myself, as there was so much information out there to glean, and only a chapter to fit it in.
So do zombies exist? The people of Haiti certainly think so. Here they are considered to be more than spooky stories, but rather very real entities. Stories of zombies persist in Haiti right up to the modern day, with sightings of the poor, haggard creatures fairly common in many rural areas. In fact, cases are so prevalent that there have been wild estimates claiming that there are as many as up to one thousand new cases of zombies a year. Wow, that’s a lot of the undead roaming around a small island! Zombification is even a crime under the Haitian Penal Code (Article 246), in which it is considered to be on par with murder despite the fact that the zombified individual is technically still alive.
Bet you’re dying to know how to make a zombie? Read on…
The zombies of Haiti were said to be corpses that were reanimated through black magic by powerful Voodoo sorcerers or priests known as bokors, for manual labor on farms and sugarcane plantations. Zombies can allegedly be made from those who are still living if the bokor is powerful enough to wrest the victim’s soul from their body. The process of turning a living person into a zombie is said to follow certain steps. First, the bokor will place a hex on the target of the ritual, who will subsequently fall mysteriously ill and die soon after. The exact methods and concoctions used vary among the bokors, but many use a powerful neurotoxin derived from pufferfish. Some zombification processes use blood and hair from their victims in addition to using Voodoo dolls. Ohers involve a carefully prepared mixture called ‘coup de poudre’ (powder strike) made of mystical herbs, human remains, and animal parts. Administrating this mixture can also vary from ingestion, injection, or even a blow dart.
Once the family of the victim pronounces the victim dead, he or she is buried in the family tomb (usually above ground), where the responsible bokor will steal the body from its grave and set about reanimating it through dark sorcery. Next, the bokor performs an ancient Voodoo rite where he or she captures the victim’s ti bon ange (the part of the soul connected to an individual) within seven days following the death of corps cadaver, while it is still hovering over the corpse. This effects a split in the spiritual parts of the victim and produces two complementary types of zombies: the spirit zombie and the zombie of the flesh. The bokor then traps the spirit zombie in a small clay jar or container, and replaces it with the loa (Voodoo spirit) that the bokor controls. The container is hidden in a secret place and is wrapped in a piece of the victim’s clothing or some other personal possession.
After a day or two, the bokor then administers a hallucinogenic mixture called the ‘zombie cucumber,’ (made from the plant Datura stramonium) that revives the victim and is used to keep the zombie in a state of submissive confusion. In this brainwashed condition, the zombie cannot speak, has no memory, and no longer resembles its past human personality. Now easy to control, the zombie is completely under the control of the bokor who created them until the bokor dies. Once released from bondage, the zombies can finally return to their home village or place of burial, and die.
There seems reason to believe from work and research done in the past that there may possibly be a concrete, scientific basis for stories of zombies, so perhaps time will tell. For now, these mysterious creatures lurk along the fringes of Haitian villages and our imaginations. Whether drug addled slaves or corpses reanimated through dark sorcery, the enigma of real zombies beckons us. Perhaps one day we will bring them out into the light and have the answers we seek.
With that, I’ll leave you with this line in the song Thriller, by Michael Jackson: It’s close to midnight! Something evil’s lurking in the dark! Hopefully, it’s not a blood-thirsty corpse. Stay safe, my zombie-loving readers!
Here’s a glimpse at my latest time travel mystery.
True freedom happens only when you choose to be free.
Eleven-year-old Drake Bailey is an analytical thinker and the genius of the Timekeeper crew. However, no logic or mathematical acumen can change the color of his skin, or prepare him for this third Timekeeper mission in antebellum Georgia. To survive, Drake must learn to play the role of a plantation slave and when confronted with the brutality, hatred, and racism of the deep south, he’ll have to strategically keep one move ahead of his sadistic captors to ensure his lineage continues.
In a dark world of Voodoo, zombies, and ritualistic sacrifice, the Timekeepers must ensure a royal bloodline survives. Can Drake remove both literal and figurative chains to save both himself and a devout slave girl from a terrible fate? If he can’t summon the necessary courage, humanity could stand to lose one of its greatest leaders.
Sharon Ledwith is the author of the middle-grade/YA time travel series, THE LAST TIMEKEEPERS, and the teen psychic mystery series, MYSTERIOUS TALES FROM FAIRY FALLS. When not writing, researching, or revising, she enjoys reading, exercising, anything arcane, and an occasional dram of scotch. Sharon lives a serene, yet busy life in a southern tourist region of Ontario, Canada, with her hubby, one spoiled yellow Labrador and a moody calico cat.
I'm an animal lover. I volunteer at a dog shelter and love nothing more than watching neglected or abused animals get their second chance and find loving homes. I'm also an author of the books, Her Name, Loving Again, A Penny on the Tracks, Annabel and the Boy in the Window, and a short story called This Christmas. When I'm not writing, I'm usually reading. I'll read anything as long as it is well-written and has a compelling and beautiful story.
You can find me on twitter @AliciaJAuthor.
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