coming of age – aliciajoseph

Moving On

When I was in college, back in 1998, I took a Creative Writing course where I wrote two horribly-written short stories and some really bad poems. The stories were called The Hideout and The Attic. Apparently, I wasn’t very creative with titles back then.

To this day, I don’t know why I didn’t toss those papers in the trash the moment the semester ended. But not only did those pages make the trip back home with me, they managed to survive a couple decades in a bin with so many of my other failed writing attempts.

About eight years ago, (damn time flies) I pulled out that dusty bin and went through those old writings. It had been a while since I’d written at that time and I wanted to get back into it. After all, being a writer was always my dream. Life, with all of its distractions, had pulled me off course for a little while, but I found my way back to it, and I thought past writings was a good place to start.

Turns out, I was right.

Even though those old stories were really bad, as I read through them I found a storyline in each I could build on. I turned The Hideout into a novel called A Penny on the Tracks that was published in 2017. It’s an LGBTQ coming-of-age story about friendship, loyalty, and the struggles of coming out. The story revolves around two best friends, Lyssa and Abbey, who discover a hideout near some train tracks and spend the summer before sixth grade hanging out and finding freedom from issues at home. But their innocence shatters when the hideout becomes the scene of a tragic death.

As for the other story, The Attic. Well, that one went through many rewrites with two major plot changes, taking me two extra years to write. It was frustrating and many times I wanted to give up, move on to another story, but I kept writing until I got the story right. Not only have I finally finished the story, but I got it contracted. The name of the book is Annabel and the Boy in the Window. I’m unable to put into words the relief I feel in finally being able to put that story to rest.

I am now in the process of revising what was my first attempt at writing a full-length novel that I wrote shortly after I graduated from college. I ended up finishing it, but as with the short stories, the writing was horrible.

So in the bin those pages went. Then a couple years back, I fished the pages out of the bin and just like with the short stories, I’d found a storyline I could work with. I’m hoping to be finished with the story by next summer. After that, I have two more previous attempts at novels I need to take a look at and see if there’s a storyline in them I can work with.

Despite having a drawer full of new story ideas, I can’t leave my old stories behind. They’re taking up too much space in my head and I need them gone before I can fully concentrate on anything new.

If you’re a writer, do you keep old stories? How do you decide which ones can be salvaged and which ones to let go? I’ve realized it’s not just old stories I have a hard time letting go. Past relationships, old friendships, cherished memories from a time that can never be lived again, all have a hold on me.

It’s hard to move on, isn’t it?

My Novel, A Penny on the Tracks

In college (22 years ago), I wrote a short story titled, The Hideout. It wasn’t very good, merely acceptable for a college Creative Writing course. The characters were bland. The dialogue dragged. I told more than I showed (a writer’s cardinal sin). The story was everything good writing isn’t supposed to be, yet some five years ago, I stumbled upon the twelve or so pages, stuffed in a binder, in a bin in my closet. There were a few short stories in that binder, all equally bad. But for some reason I’d hung on to them, and it was a good thing that I did.

After many revisions, I’ve turned that cringe-worthy short story into a published novel. The Hideout, now titled, A Penny on the Tracks, is a coming of age story that follows the friendship of two eleven-year old girls, Lyssa and Abbey, who spend the summer of ’86, mostly unsupervised, relishing the freedom in riding their bikes in the streets of their hometown, watching MTV while singing and dancing wildly on the furniture, and eating as many messy bologna sandwiches and junk food they want.

But we soon see, despite this seemingly juvenile heaven, the girls each carry heavy burdens of their own, that come to the breaking point late in their teens. As children, the girls discover a hideout in a remote area near the train tracks, and spend much of their summer days there, using the place as a safe haven from the angst of their unsettled lives.

Lyssa resents her single mother for not being home when she needs her, while Abbey would prefer her mother to be gone for most of the day. This provides the backdrop of their friendship and the strong bond between them. It also is the catalyst for personal discovery, sexual identity, and tragedy.

APennyontheTracks-web — A Penny on the Tracks

Back of the Book

Lyssa and her best friend Abbey discover a hideout near the train tracks and spend the summer before sixth grade hanging out finding freedom from issues at home. Their childhood innocence shatters when the hideout becomes the scene of a tragic death.

As they’re about to graduate from high school, Abbey’s family life spirals out of control while Lyssa is feeling guilty for deceiving Abbey about her sexuality. After another tragic loss, Lyssa finds out that a penny on the track is sometimes a huge price to pay for the truth.

A Penny on the Tracks

Last November, I published my book, A Penny on the Tracks. It is a YA book based loosely on my childhood friendship with my best friend. I wrote this story in college. At the time, it was written as a short story and was titled The Hideout. The finished product hardly resembles anything of the original.

In fact, the college version of A Penny on the Tracks was so bad that when I reread it nearly fifteen years ago, my first instinct was to throw it away, but the writer in me remembered the agonizing hours I put into the piece, so I stuffed it in an overfilled drawer of mostly unfinished old works and left it there.

About three years ago, for whatever reason, I searched that overfilled drawer for that story and this time when I reread the piece I didn’t want to toss it into a fire. This time I saw potential. Although I ended up rewriting almost the entire thing, the core of the story has stayed the same — two friends sharing their childhood together while dealing with personal tragedy.

The importance of friendship is prevalent in this story, and I’m proud of the way A Penny on the Tracks has turned out. I’m proud that I not only finished the story, but a publisher liked it enough to contract it. I’m hoping the same thing will happen with the story I am currently writing tentatively called Annabel.

This is another awfully-written college short story and was titled The Attic. This piece was also stuffed in that same overfilled drawer and for some reason I also fished this story out and decided to salvage it with a rewrite. I’m over two hundred pages in and am still unsure about an ending, but I have some ideas. With A Penny I always knew how the story was going to end, and of course knowing the direction you’re writing to makes writing a story so much easier, but I do have a knack of making life harder for myself. Why should writing be any different?

The story of A Penny on the Tracks deals with friendship, coming out, and tragedy. A girl names Lyssa and her best friend Abbey discover a hideout near the train tracks and spend the summer before sixth grade hanging out and finding freedom from issues at home. Their childhood innocence shatters when the hideout becomes the scene of a tragic death.

Here is an excerpt from A Penny on the Tracks:

I JERKED FROM my sleep while the phone was still buzzing its first high-piercing ring. I glanced at the clock on the nightstand. It read 4:17 a.m. I knew something was wrong.

The second ring was abruptly broken up, and my mother’s muffled voice carried into my room. I was already sitting upright in my bed when my bedroom door squeaked open, and my mother’s slight figure appeared as a shadow near my door.

“Lyssa? You up?” she asked.

“What’s wrong?” My voice was no louder than a whisper.

My mother made her way into the dark room. I couldn’t make out the expression on her face, but her movement was stiff and hesitant.

She turned on the lamp and sat down beside me. Her face was pale and she let out short, shallow breaths. It seemed difficult for her to look me in the eyes.

“What is it?” I asked. “What’s happened?”

My mother looked at me with pain in her eyes. “Lyssa . . .” She smoothed her hand gently across my arm. “Abbey’s dead.”

I took in her words without an ounce of denial. The reality of what my mother had told me was instant.

My best friend was dead.

Excerpt from my YA book, A Penny on the Tracks

Lyssa and her best friend Abbey discover a hideout near the train tracks and spend the summer before sixth grade hanging out and finding freedom from issues at home. Their childhood innocence is lost when the hideout becomes the scene of a tragic death.

Excerpt:

I WAS MAKING our favorite sandwich—bologna, lettuce, and cheese smeared with mustard and mayo on white bread—when Abbey called for me from the living room.

“Lyssa! Hurry up! Poison’s on!”

The sandwiches lay on the counter amid a mess of open condiment jars and scattered pieces of lettuce and lunch meat. I quickly smashed the top slices of bread onto both sandwiches against the piled-stack of a sloppy mess I had created and hurried into the next room, dropping bits of food as I ran.

Abbey was standing on the couch, shouting out the lyrics we both knew by heart as Brett Michaels’ voice filled the room.

I handed her a sandwich, jumped on the couch, and screamed out the chorus to “Talk Dirty to Me.” I took bites of my sandwich during the guitar solo, and Abbey held her sandwich high in her left hand, as though it were the end of a guitar, and strummed her right hand against the front of her shirt. We banged our heads in unison, hair (and food) flying everywhere.

Abbey’s house had a bigger TV and better food options than bologna and cheese sandwiches, but we never could have done what we were doing right then if we were at her house.

Twisted Sister’s “We’re Not Gonna Take It” came on next, and we both lost our minds. We dropped what was left of our food onto the table and yelled out the lyrics to our favorite song. Abbey sang the song with more conviction, as though she had a lot more that she didn’t want to take anymore.

The video ended, and we both collapsed onto the couch and finished our lunch. After, I went into the kitchen and grabbed a couple cans of pop from the fridge. Hanging on a magnet, on the side of the refrigerator, was a note from my mom reminding me she was working late that night and that there were frozen dinners in the freezer. At the end of the note she promised a home-cooked meal soon.

Abbey was often envious of the lack of parental supervision at my place, especially when it came to dinner. She was jealous I got to eat whatever I wanted. Even if my mom left dinner for me in the fridge, if I wanted to eat S’mores for supper, I ate S’mores.

“You eat dinner on the couch while watching TV?” Abbey had asked me one day.

“If I feel like it,” I answered.

“You’re so lucky. My mom makes me eat with her at the table, even if my dad isn’t home yet. And I can’t even put my elbows on the table.”

I ate on the couch while watching TV because my friend didn’t know the loneliness that crept inside a person while eating dinner among empty chairs.

But I had forced a smile. “Yep. I am lucky.”

I walked back into the living room and handed one of the cans to Abbey.

Abbey didn’t take it. “My mom said I drink too much pop.”

“Your mom’s not fucking here.”

Abbey smiled and grabbed the can from my hand.About eight videos later and a sore neck from head banging, Abbey had to go home.

I walked her to the door. “Let’s ride our bikes tomorrow.”

“Where to?”

“I don’t know. Somewhere far.”

“Last time we did that we were almost too tired to ride back,” she reminded me.

“That was because of the wind,” I explained. “It was blowing against us on our way back.”

Abbey considered this. “Okay. If it’s not very windy tomorrow, we’ll ride our bikes far.”

You can purchase A Penny on the Tracks on the link below at Amazon.com.

Thanks for reading!

A Penny on the Tracks

November is National Novel Writing Month (NaNoWriMo). It is a program that challenges writers to complete a 50,000 word novel in one month — 50,000 words in 30 days. If it sounds insane, that’s because it is, but I’m sure I saw a quote somewhere from Stephen King stating that a writer should be able to finish a first draft in 30 days.

I have never finished a first draft in 30 days — not even a first draft of a 15,000 word short story I recently wrote. That tale took me two months to complete.

For four straight years, I have promised myself I’d take part in this challenge, and for the fourth November in a row, I backed out before I even began. I’m not against pushing myself as a writer. I think this is a great motivator for people to actually finish writing a book because so many books are left unwritten because, well, writing is hard.

So, if this gets writers to stay in their seats and write, great. But I don’t approach writing with a word count. I really hate getting caught up in counting words, which is probably why I have not been motivated to take a shot at this challenge. I shut the word count feature off on my computer so that I can’t see the number as I write.

When I sit down to write, I tell myself, “Alicia, write one good, solid scene.” My hope is that I come up with a page or two of dialogue or prose that either advances the plot or develops the characters, basically anything that moves the story along.

I’m currently writing a book about a teenage girl in the 1950’s called, Annabel. Even if I wanted to compete in this NaNo challenge, I’m too far along in this story (about 250 pages, don’t ask me the word count, because I don’t know) to even attempt to write a thousand-plus words a day. I’m mostly in the “fill-in-the-blanks” part of the writing process.

My YA book, A Penny on the Tracks, will be released tomorrow. It is a 75,000 word novel that took me about a year to complete. I couldn’t tell you how long I had been working on the book before I finally had a first draft completed, but I can tell you there were a ton of revisions. An absolute ton.

But in the end, I came up with a story that I’m very proud of and was totally worth the many frustrating late nights I spent writing it.

Here is an excerpt from my coming-of-age book about life, love, and friendship:

I was making our favorite sandwich—bologna, lettuce, and cheese smeared with mustard and mayo on white bread—when Abbey called for me from the living room.
“Lyssa! Hurry up! Poison’s on!”

The sandwiches lay on the counter amid a mess of open condiment jars and scattered pieces of lettuce and lunch meat. I quickly smashed the top slices of bread onto both sandwiches against the piled-stack of a sloppy mess I had created and hurried into the next room, dropping bits of food as I ran.

Abbey was standing on the couch, shouting out the lyrics we both knew by heart as Brett Michaels’ voice filled the room. I handed her a sandwich, jumped on the couch, and screamed out the chorus to “Talk Dirty to Me.” I took bites of my sandwich during the guitar solo, and Abbey held her sandwich high in her left hand, as though it were the end of a guitar, and strummed her right hand against the front of her shirt. We banged our heads in unison, hair (and food) flying everywhere.

Abbey’s house had a bigger TV and better food options than bologna and cheese sandwiches, but we never could have done what we were doing right then if we were at her house. Twisted Sister’s “We’re Not Gonna Take It” came on next, and we both lost our minds.

We dropped what was left of our food onto the table and yelled out the lyrics to our favorite song. Abbey sang the song with more conviction, as though she had a lot more that she didn’t want to take anymore.

The video ended, and we both collapsed onto the couch and finished our lunch. After, I went into the kitchen and grabbed a couple cans of pop from the fridge. Hanging on a magnet, on the side of the refrigerator, was a note from my mom reminding me she was working late that night and that there were frozen dinners in the freezer. At the end of the note she promised a home-cooked meal soon.

Abbey was often envious of the lack of parental supervision at my place, especially when it came to dinner. She was jealous I got to eat whatever I wanted. Even if my mom left dinner for me in the fridge, if I wanted to eat S’mores for supper, I ate S’mores.

“You eat dinner on the couch while watching TV?” Abbey had asked me one day.

“If I feel like it,” I answered.

“You’re so lucky. My mom makes me eat with her at the table, even if my dad isn’t home yet. And I can’t even put my elbows on the table.”

I ate on the couch while watching TV because my friend didn’t know the loneliness that crept inside a person while eating dinner among empty chairs.

But I had forced a smile. “Yep. I am lucky.”

I walked back into the living room and handed one of the cans to Abbey. Abbey didn’t take it.

“My mom said I drink too much pop.”

“Your mom’s not fucking here.”

Abbey smiled and grabbed the can from my hand. About eight videos later and a sore neck from head banging, Abbey had to go home.

I walked her to the door. “Let’s ride our bikes tomorrow.”

“Where to?”

“I don’t know. Somewhere far.”

“Last time we did that we were almost too tired to ride back,” she reminded me.

“That was because of the wind,” I explained. “It was blowing against us on our way back.”

Abbey considered this. “Okay. If it’s not very windy tomorrow, we’ll ride our bikes far.