I was at a bar one night and ran into a woman I used to date over fifteen years ago. In our exchange of pleasantries, my being a writer came up and immediately my ex grabbed my arm and exclaimed to me with vigor how she is planning on writing her autobiography because she’s led a very interesting life, and all of her friends tell her she just has to write a book.
I told her I was sure she had many great stories to tell, and I wouldn’t be surprised if they could fill a book, but I asked if she’d had any training in writing. The uncertain look on her face answered my question. She hadn’t studied writing in any way past a classroom in high school, but figured since she had a story to tell (most people who are alive have a story to tell. It’s called life.) and knew how to write in complete sentences, she could write a book.
I didn’t roll my eyes in front of her. I’m not that rude. But I did suggest to her that if she was serious about writing her book, she should enroll in a writing course at her local college. Three months before I contracted my first book, Her Name, I had taken a writing course at my local college and it helped me more than I imagined one class would. I was lucky to have had some terrific writers in my class who gave me incredible notes on my story, which I still possess over five years later.
After I published my second book, Loving Again, I enrolled in another writing course at the same college. It was during that course that my third book, A Penny on the Tracks, was contracted. I value all of the critiques of my work by my peers and instructors because they have helped me become a better writer.
But as a writer, I have to put in the work, and it bothers me to no end when people think they can just pick up a pen and start writing the masterpiece that is their life without studying the craft.
I’m writing my current book in a point-of-view I’ve never attempted — subjective omniscient. My former books were written in first-person and third-person limited. This is completely new to me. I feel like I’m starting all over again as a writer, and that isn’t such a bad feeling. I may enroll in another writing course. I need the guidance my fellow writers have given me on my previous works for the story I am writing now.
The writing community is tremendously supportive.
I thank all the writers who share their time and their knowledge to inspire and encourage those aspiring to write.
November is National Novel Writing Month (NaNoWriMo). It is a program that challenges writers to complete a 50,000 word novel in one month — 50,000 words in 30 days. If it sounds insane, that’s because it is, but I’m sure I saw a quote somewhere from Stephen King stating that a writer should be able to finish a first draft in 30 days.
I have never finished a first draft in 30 days — not even a first draft of a 15,000 word short story I recently wrote. That tale took me two months to complete.
For four straight years, I have promised myself I’d take part in this challenge, and for the fourth November in a row, I backed out before I even began. I’m not against pushing myself as a writer. I think this is a great motivator for people to actually finish writing a book because so many books are left unwritten because, well, writing is hard.
So, if this gets writers to stay in their seats and write, great. But I don’t approach writing with a word count. I really hate getting caught up in counting words, which is probably why I have not been motivated to take a shot at this challenge. I shut the word count feature off on my computer so that I can’t see the number as I write.
When I sit down to write, I tell myself, “Alicia, write one good, solid scene.” My hope is that I come up with a page or two of dialogue or prose that either advances the plot or develops the characters, basically anything that moves the story along.
I’m currently writing a book about a teenage girl in the 1950’s called, Annabel. Even if I wanted to compete in this NaNo challenge, I’m too far along in this story (about 250 pages, don’t ask me the word count, because I don’t know) to even attempt to write a thousand-plus words a day. I’m mostly in the “fill-in-the-blanks” part of the writing process.
My YA book, A Penny on the Tracks, will be released tomorrow. It is a 75,000 word novel that took me about a year to complete. I couldn’t tell you how long I had been working on the book before I finally had a first draft completed, but I can tell you there were a ton of revisions. An absolute ton.
But in the end, I came up with a story that I’m very proud of and was totally worth the many frustrating late nights I spent writing it.
Here is an excerpt from my coming-of-age book about life, love, and friendship:
I was making our favorite sandwich—bologna, lettuce, and cheese smeared with mustard and mayo on white bread—when Abbey called for me from the living room. “Lyssa! Hurry up! Poison’s on!”
The sandwiches lay on the counter amid a mess of open condiment jars and scattered pieces of lettuce and lunch meat. I quickly smashed the top slices of bread onto both sandwiches against the piled-stack of a sloppy mess I had created and hurried into the next room, dropping bits of food as I ran.
Abbey was standing on the couch, shouting out the lyrics we both knew by heart as Brett Michaels’ voice filled the room. I handed her a sandwich, jumped on the couch, and screamed out the chorus to “Talk Dirty to Me.” I took bites of my sandwich during the guitar solo, and Abbey held her sandwich high in her left hand, as though it were the end of a guitar, and strummed her right hand against the front of her shirt. We banged our heads in unison, hair (and food) flying everywhere.
Abbey’s house had a bigger TV and better food options than bologna and cheese sandwiches, but we never could have done what we were doing right then if we were at her house. Twisted Sister’s “We’re Not Gonna Take It” came on next, and we both lost our minds.
We dropped what was left of our food onto the table and yelled out the lyrics to our favorite song. Abbey sang the song with more conviction, as though she had a lot more that she didn’t want to take anymore.
The video ended, and we both collapsed onto the couch and finished our lunch. After, I went into the kitchen and grabbed a couple cans of pop from the fridge. Hanging on a magnet, on the side of the refrigerator, was a note from my mom reminding me she was working late that night and that there were frozen dinners in the freezer. At the end of the note she promised a home-cooked meal soon.
Abbey was often envious of the lack of parental supervision at my place, especially when it came to dinner. She was jealous I got to eat whatever I wanted. Even if my mom left dinner for me in the fridge, if I wanted to eat S’mores for supper, I ate S’mores.
“You eat dinner on the couch while watching TV?” Abbey had asked me one day.
“If I feel like it,” I answered.
“You’re so lucky. My mom makes me eat with her at the table, even if my dad isn’t home yet. And I can’t even put my elbows on the table.”
I ate on the couch while watching TV because my friend didn’t know the loneliness that crept inside a person while eating dinner among empty chairs.
But I had forced a smile. “Yep. I am lucky.”
I walked back into the living room and handed one of the cans to Abbey. Abbey didn’t take it.
“My mom said I drink too much pop.”
“Your mom’s not fucking here.”
Abbey smiled and grabbed the can from my hand. About eight videos later and a sore neck from head banging, Abbey had to go home.
I walked her to the door. “Let’s ride our bikes tomorrow.”
“I don’t know. Somewhere far.”
“Last time we did that we were almost too tired to ride back,” she reminded me.
“That was because of the wind,” I explained. “It was blowing against us on our way back.”
Abbey considered this. “Okay. If it’s not very windy tomorrow, we’ll ride our bikes far.