“Cheeky fellow,” I said to myself and then turned my face back to the window. All of a sudden, fuming, black clouds split open and barraged the airplane with a torrent of rain. The vessel rose and dropped, rose and dropped like a rollercoaster car. My knuckles white on the armrests, I nearly lost my breakfast. I stole a glance at my seat companion and was astonished at his utter composure. His hands folded softly in his lap and eyes closed, his chest expanded and contracted in gentle, easy breaths. It appeared that his experience of our journey was the opposite of mine.
Moments that seemed an eternity passed by, and the plane leveled and found its balance for a while. I thought it expedient to discover the source of the man’s serenity. “What’s your destination?” I inquired.
“As far as the plane will take me,” was his reply. “Further along than last year,” he added.
“I never seem to get very far at all from my starting point,” I admitted. “There have been trips where I even went backwards.”
“Same here,” he confessed.
“What’s different this trip?” I asked.
“I had a dream. I take messages in dreams to heart. In the dream, a voice told me flat out that I had to lighten my load if I expect to ever get where I’m supposed to go, and especially to get off the ground for my very last trip, which the voice told me is still far in the future. So, I started unloading my enormous suitcase.”
“Unloading it of what?”
“The voice told me to begin by dumping outworn regrets and then pointless guilt; childish resentments and envies and jealousies and grudges; unspoken apologies; unattended amends, and pernicious unforgiveness. Getting rid of those things alone would lighten the load a whole lot. But that wasn’t enough—not nearly enough. There is this thing called ‘yearning,’ that wistful longing for things that will never be. Do you know what I mean?”
Driven by a deathly thirst, he stops. A strange little brown man materializes out of nowhere and introduces himself merely as ‘Potter,’ and welcomes Nicholas to his ‘Garden of the Spirits of the Pots.’ Although Nicholas has never laid eyes on Potter, the man seems to have expected Nicholas at his bizarre habitation and displays knowledge about him that nobody has any right to possess. Just who is this mysterious Aboriginal potter?
Although they are as mismatched as two persons can be, a strangely inevitable friendship takes hold between them. It is a relationship that can only be directed by an unseen hand bent on setting Nicholas on a mystifying voyage of self-discovery and Potter on revelations of universal certainties.
A blend of visionary and inspirational fiction, and a touch of romance, this is a tale of Nicholas’ journey into parts unknown, both within his adopted home and himself, a quest that in the end leads him to his true purpose for living.
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Multi-award-winning author and artist Linda Lee Greene describes her life as a telescope that when trained on her past reveals how each piece of it, whether good or bad or in-between, was necessary in the unfoldment of her fine art and literary paths.
Greene moved from farm-girl to city-girl; dance instructor to wife, mother, and homemaker; divorcee to single-working-mom and adult-college-student; and interior designer to multi-award-winning artist and author, essayist, and blogger. It was decades of challenging life experiences and debilitating, chronic illness that gave birth to her dormant flair for art and writing. Greene was three days shy of her fifty-seventh birthday when her creative spirit took a hold of her.
She found her way to her lonely easel soon thereafter. Since then Greene has accepted commissions and displayed her artwork in shows and galleries in and around the USA. She is also a member of artist and writer associations.
Visit Linda on her blog and join her on Facebook.
Garden of the Spirits of the Pots is available in eBook and/or paperback on Amazon.
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